A man of of principle leads a double life: one for his mistress and one he takes home to his wife.

Sam is a screenwriter, good at sorting out other people's stories but unable to organize his own life. He loves women with passion and there are too many around him.

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Wandering through the mechanisms of peasantry in the Cantal region, this film attempts to create a free space where the filmmaker and the peasant women engage in some kind of collaboration; the daily work of cheesemaking, the temporary labour of filmmaking and the love for both tend to form a poetic triangular relationship.

Pierre Rossi and Béatrice live in the same block of flats in Marseille and love each other. One night, Béatrice leaves her apartment. Pierre knows that his fiancée goes to a rendezvous, but she would not tell him more than just that. Worried, Pierre follows her but he is attacked and stolen his identity papers by two men, Tom and Nasol, on the payroll of Quaglio, one of the city's bosses. Later on, Quaglio kills Nasol and deposits the body in a garage, leaving Pierre's papers nearby. As for Pierre, he manages to follow Tom to a villa where several young women have been invited. Pierre, horrified, realizes that this place is the headquarters for the white slave trade.

The device is simple and impactful: It opposes excerpts from Adolf Hitler's public speeches to images that show the reality contradicting his words. There is no narration, no verbal analysis, no contextual explanation. Just a montage.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

In the 1920s, the Aurassienne country is one of the poorest regions of Algeria, often ravaged by long winters, famine and disease. Brahim a master craftsman, is one of the richest men in the country.

A man's clumsy attempts to marry his young naive ward. Ophuls' idea was: show the Louis Jouvet theater troupe, which had decamped to Geneva, playing for an audience and show things like the actors getting made up, and going behind stage.